Cinema tools conform frame rate

You can now change the frame size and aspect ratio for the Final Sequence in the sequence settings for Final Sequence. Then select the Motion tab from the Viewer. Progressive to Progressive Frame Rate Conversion when the frame rates for both the source and destination clips are progressive. This will make sure this Interim Sequence has a duration at least as long as the original sequence before conforming. Important Note: even though FCP often marks footage as SO if you are converting Frame Rate Conversion when converting between Frame Rate Conversion when the frame rates for both the source and destination clips are progressive.

Page content loaded. Nov 9, AM in response to rdmartin In response to rdmartin. Try it for yourself to hear if it matters.

Nov 9, AM. Nov 9, AM in response to Ian R. Brown In response to Ian R. Choose default database settings: Film standard 35mm 4p. Video tc rate: 24fps , sound tc rate: 24fps. I change the TC Rate from 25 to 24 under the video section.

The confrom button is grayed out the entire time. When I select the file the box gives the option to conform to 24fps and I than push conform. It takes only a sencond but when I go back into the skipped folder where I selected the clip there is no new file created just the original so it seems like nothing happened.

In the folder where the video file is selected: A Skipped folder is created with it in there and there is also a conformed 24 folder but it is empty. There is also a conform. When I select it, the video viewer window pops up, but all buttons are greyed out except for the Analysis tab which is useless so I than went file- batch conform. The process happened in a second and then the viewer window dissappeared.

Looked into the external hd and the file is still there in the skipped folder and the conformed folder is still empty. Don't understand why everything is greyed out. Is it because i'm working from an external drive, or that the file is h video codec with a.

No new files are made. It doesn't make new ones. If you want to have originals at 25fps, and then new ones at All footage needs to be converted to ProRes. Than I open cinema tools opened the clip the conform button was available to push. I conformed it to 24fps from I put it into fcp and the dialog is out of sync with the last few seconds of the video having mute audio because track already went through.

Nov 10, PM. Nov 10, PM in response to rdmartin In response to rdmartin. When you conform, you aren't removing ANY frames. You are taking all the frames that currently exist, and changing the rate at which they play back.

All the same frames, different frame rate. Which is why we use this to convert 60fps to 24fps for great smooth slow motion. Same frames, just playing back at a different rate.

The first image is the result of removing the pulldown in Cinema Tools from a 24 fps clip captured with a standard telecine process. After trying various settings in Cinema Tools, such as changing the field order and so forth, this image is the best I could do with Cinema Tools' reverse telecine:. This second image is the same frame. It is taken from the version of the footage that was transferred at 30 fps with no pulldown, and then conformed to If my job were to isolate the pilot's arm with a mask, I'd much rather be working with this frame:.

I've been unable thus far to get a grip on just why Cinema Tools doesn't always cleanly remove the pulldown my guess is it may be getting the field order wrong when it's compensating for the jitter frame , but the fact remains that it does.

I have heard this from numerous sources as well; no one I've ever spoken to has gotten a clean pulldown removal from Cinema Tools using reverse telecine. You ship them your negative, and they ship you a hard drive with your footage on it in 24 fps progressive HD, or This last option initially puzzled me, so when I requested their "test drive," I asked them to include a 30 fps progressive clip.

The footage I received was 35mm film transferred to 24 fps, p bit uncompressed There was a different film clip transferred as 8-bit uncompressed NTSC with the pulldown, so it ran at The NTSC clips, however, got my attention. The clip transferred at 30 fps but really running at After conferring with the lab, I realized that this was deliberately done. But Cinema Tools has a cure, at least for the image side. There's a "conform" button on the Cinema Tools main window that allows you to change the frame rate of a clip without reprocessing the clip itself.

So by conforming the clip's speed from It's the digital equivalent of turning the switch on a projector from 30 fps down to 24 fps. Once this is done, the sound, transferred separately at its proper speed, can be re-synched to the picture in the edit.

For someone like me, who trained on a 16mm editing bench with a gang synchronizer where synching is done with a film splicer and a permanent marker, this is a cinch.

But as always, your mileage may vary. This process also allows for better slow-motion effects if your originating medium is digital video. So we're stuck shooting 24p or 24p Advanced and using time remapping in FCP or After Effects, and living with interpolation problems. But if you shoot your slow-motion footage in 30p mode and conform to 24 fps or The Process The procedure is short and simple. Your clip should already be in Quicktime format, in whatever codec the lab has used to create the clip.

In my case with Bonolabs, the footage arrived as Blackmagic bit uncompressed files at 30 fps progressive. I can't say enough about how great the footage looked, even though it was shot under very poor conditions with stock remember, this footage is 20 years old.